GT: No i tried its too depressing. And also uh kind of impossible to understand?
GT: I told roxy i liked it though i didnt want to hurt her feelings so dont say i said that.
GT: I think ill wait for the movies to come out i bet ill like those better.
TT: You don't say?
GT: I do say! Hey you mustve seen them what being in the future are they any good?
TT: They are not.
GT: Phooey to that. Like i even believe you!
TT: The books are pretty interesting though, if somewhat dense.
TT: They're supposedly heavily allegorical. Veiled representations of cosmic events surrounding the witch and her boss and how all this came about.
TT: It's the kind of thing you wouldn't pick up on unless you were someone who understood what happened, like the Condesce, which was kind of the point. I think it was her way of letting the witch know, "I'm on to you."
TT: In the early days of the resistance movement they both opposed her more indirectly, through their art, like critics of tyrannical governments often used to.
TT: They had to be careful. Didn't want to make big waves too early.
TT: My bro did this too with his many fine films.
TT: Practically everything was a symbol for something. Either in mockery of the batterwitch, or conveying some hidden message to its audience. Each film was always rigorously picked apart for its head-scratching symbolic meaning.
TT: But he managed to accomplish all that without ever compromising the purity of his ironic vision, which I think was admirable.

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